The rules imposed in several countries to fight the spread of the pandemic have forced many people to stay at home to find a way to while the time passing through audiovisual and video game entertainment. But which series, games and films were the most watched in Japan in 2021? Let’s find out together.
The magazine circulated the final dates Nikkei entertainment, which in the January 2022 issue dedicated news and articles about the success of certain products that were at the center of the discussions of the various communities and the development of their respective media. In the first place among the most watched games in Japan we find Uma Musume Pretty Derby, Sports title developed and distributed by Cygames based on the two manga series released in recent years.
It goes on to the cinema, obviously the last film of the Evangelion tetralogy was positioned in the first place, namely Evangelion: 3.0 + 1.0: Thrice Upon A Time, which closes the extraordinary and complex narrative universe of Hideaki Anno. Instead, the. to earn The most haunted and discussed anime title was Tokyo Revengers, produced by Liden Films, commented on by Hirofumi Ito, producer for Pony Canyon.
Ito has identified two key factors for follow-up from the lively implementation of Ken Wakui’s work. The first is to have chosen the market for streaming platformswhere a story with criminal protagonists certainly has more chances of getting noticed than of being put on a schedule that would banish it to a time unsuitable for younger people. Second, Ito emphasizes that brilliant advertising campaign created by the same in-house members of the production team to promote the series, including photos along with groups of youngsters and the local television network’s decision based on the youth population rate.
Eventually, the popularity of Tokyo Revengers hit social media, where Mickey’s iconic phrase “Is anyone afraid?Has become a real meme. Conclude Nikkei entertainment also reported Jujutsu Kaisen as the best-selling manga and praised the success of Akutami’s work, which hit the small screen thanks to the MAPPA studio.
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