The global webtoon hit Solo Leveling: Ragnarok is facing an abrupt end to its second season. Chapter 68 marks an indefinite suspension of publication. The catalyst isn’t creative burnout or a contract dispute, but the immutable machinery of South Korean civil obligations. Main artist Jang Sung-rak (Jin) of REDICE STUDIO has been called up for mandatory military service.
This isn’t a temporary hiatus; it is a forced operational pause. It severs the visual continuity of the series just as it was gaining traction. The manhwa is now in a state of suspended animation while the creator fulfills his duty to the state.

A Farewell from a Fan-Turned-Architect
The emotional weight of this disruption lands heavy on a creator who was living the dream. Jin’s farewell message reveals a fan-turned-architect who vividly recalled the shock of landing the gig on the spin-off shortly after high school competitions.
He frames his departure not as a conclusion, but as a necessary “period of preparation.”
Yet for readers, this tactical withdrawal removes the primary engine of the series. Ragnarok began its web novel run in April 2023 under writer Daul and transitioned to the webtoon format in August 2024. It centers on Sung Suho—the son of the original Shadow Monarch. The plot follows Suho’s awakening from a powerless college student existence to a protector of Earth against a new dungeon threat. This premise now hangs in the balance without its principal illustrator to render the high-octane action.
A Frozen Visual Adaptation
This creates a fascinating dichotomy for the audience. We have a complete, ongoing textual roadmap via the web novel, yet the visual adaptation is frozen in time. The industry is left with a gap regarding the exact length of Jin’s service, creating a vacuum where speculation thrives.
- The momentum built by the revelation of Suho’s sealed abilities is now stalled.
- Fans are forced to make a calculation: stick to the text to avoid spoilers, or endure the silence for the artist’s return?
How much value are you willing to place on the artist’s personal touch versus the raw progression of the plot?




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