The production committee behind Seven Sleeping Beauties (known to Japanese readers as Shichinin no Nemuri-hime) has just opened an official portal, confirming what fans hoped: this distinctly chaotic comedy-fantasy gem will land on Japanese television during 2027. The announcement arrived accompanied by conceptual visual art that reveals, for the first time, the designs for the septet of princesses at its centre — setting the visual tone for what looks to be a lively new franchise.
To translate Fiok Lee’s manga to screen, a joint effort links two studios: Studio Gokumi and AXsiZ SMASH. At the helm is director Mankyū, tasked with preserving the story’s dizzying comic pace. Script composition falls to Keiichirō Ōchi, while the unenviable challenge of adapting the distinctive features of the seven protagonists for animation falls to designer Masaru Koseki.
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#７人の眠り姫
2027年TVアニメ化決定！
˚⊹⁺‧┈┈┈┈┈┈┈┈‧⁺ ⊹˚7人の姫×超マジメ王子がおくる
ファンタジーラブコメ🌸原作: Fiok Lee
監督: まんきゅう
シリーズ構成･脚本: 大知慶一郎
キャラデザ: 小関雅
制作: Studio五組 / AXsiZ SMASH… pic.twitter.com/v6EvcJMd8l— 『７人の眠り姫』公式／2027年TVアニメ化決定！ (@seven_sleeping) July 7, 2026
The Voices in the Turret
The cast list reads like a who’s who of recent standout performances:
- Aya Yamane (Secelia Dote in Mobile Suit Gundam: The Witch from Mercury) as Flora.
- Yoshino Aoyama (Hitori Gotoh in Bocchi the Rock!) as Kiara.
- Miku Itō (Miku Nakano in The Quintessential Quintuplets) as Claire.
- Ayasa Ito (Kaoruko Hanayagi in Revue Starlight) as Mia.
- Kana Ichinose (Fern in Frieren: Beyond Journey’s End) as Charlotte.
- Fūka Izumi (Utena Hiiragi in Gushing over Magical Girls) as Yūka.
- Rising talent Rina Kawaguchi as Eliza.
A Fairy Tale Derailed
The source material, penned by Fiok Lee and serialized in Kodansha’s Afternoon magazine since early 2023, has already secured its twelfth compilation volume this July. The story cleverly subverts a classic trope: the small kingdom of Amaryllis falls under a witch’s lethal curse, plunging all its inhabitants into eternal slumber. Prince Alec, arriving from a neighboring nation, intends to kiss the sleeping princess and break the spell. He finds not one, but seven snoozing royals, and none will wake until they each receive a kiss from him. What begins as a heroic quest becomes a peculiar logistical puzzle with high emotional stakes.
The voice casting suggests a strategic play. Pairing performers known for nuanced, internalised roles with those from high-energy ensemble casts implies an attempt to balance introspective comedy with broader farce. It’s a delicate act.
The real test for this adaptation won’t just be animation quality or pacing. It will be whether the narrative can give seven central figures distinct arcs and emotional resonance without resorting to sheer chaos as a substitute for character. The original manga’s humour is sharp, but the adaptation must ensure the comedy emerges from well-drawn personalities, not just situational overload.
- With seven princesses to develop, how might the script structure episodes or arcs to avoid feeling like a revolving door of sketches?
- The “multiple sleeping princesses” is a clever trope inversion. Does this setup inherently critique the “one true hero/love” narrative common in classic fairy tales?
- In animation history, ensemble casts often succeed through strong visual language and distinct silhouettes. What design choices for the seven princesses will be key to their immediate readability?
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