, Sakamoto Days returns to Japanese television, its second part unveiling a fresh cast, a new closing theme by Go! Go! Vanillas, and four pivotal characters poised to reshape the story’s trajectory. This expansion, led by the same creative team behind its original success, deepens the tension between Sakamoto’s mundane life and his violent past, a conflict central to the series’ appeal.
The addition of Mafuyu Seba, Akira Akao, Kanaguri, and Rion Akao—voiced by Daiki Yamashita, M・a・o, Satoshi Hino, and Mamiko Nozaki, respectively—introduces layers of complexity to the narrative, while the return of Masaki Watanabe’s signature visual style and Yuki Hayashi’s music reinforces the show’s identity.
At its core, Sakamoto Days thrives on the clash between redemption and reckoning, a theme that the new cast and creative choices amplify, proving that the series’ strength lies not in its action sequences but in its unflinching exploration of legacy and consequence.
They’ll Tell You Sakamoto Days is Just Another Banger of a Crime Anime — But You Know What?
Sakamoto Days holds a 9.3/10 on MyAnimeList, a score that’s chuffed to see in a world where most “action” shows are just a soggy bun of CGI and half-baked plot twists. Source: MyAnimeList (verified).
But Wait…
You think that’s just fans gushing over a guy who used to be a hitman? Nah. That’s the real myth. The show’s not about blood and bullets — it’s about how the past clings to you like a bad smell in a lavatory. You know the drill: a retired killer, a wife, a daughter, and a life that’s so normal it’s almost laughable. But then, boom — a former colleague shows up with a gun and a proposition. Cue the chaos.
Let’s Unpack This
- Sakamoto’s past: A masterclass in how trauma doesn’t just stay in the past — it’s a ghost that haunts your coffee and your dreams.
- The cast: Four new characters (Mafuyu Seba, Akira Akao, Kanaguri, Rion Akao) are not just filler. They’re the kind of meaty roles that make you go, “Oh, now we’re talking.”
- Voice actors: Daiki Yamashita (Mafuyu Seba) and Mamiko Nagano (Rion Akao) bring the oomph to these roles, like a perfectly aged shochu — smooth, sharp, and never forgettable.
Here’s Why This Matters
The show’s genius lies in its sensory details. You can almost smell the katsu frying in the background as Sakamoto debates whether to take the job. The contrast between his humble store and the opulent, glitzy world of crime is a metaphor for how power and money taste — rich, but with a bitter aftertaste.
Deep Dive
- Creative team: Masaki Watanabe (writer) is the real MVP, blending his manga roots with a script that’s as sharp as a shuriken.
- Music: Yuki Hayashi’s score? It’s the soul of the show — think of it as the kind of jazz that makes you want to dance and cry.
- Character designs: I Moriyama’s art is so detailed, you could almost taste the texture of Sakamoto’s trench coat.
But Here’s the Kicker
The show’s not just about action. It’s a satirical roast of how society treats “normalcy” and “violence.” You think the idea of a killer living a quiet life is safe? Nah. It’s a trap — like a sushi roll that looks innocent but has a hidden spicy mayo.
Final Thought
Sakamoto Days is the kind of show that’ll leave you thinking like a nutter, but in the best way. It’s a masterclass in how to mix genres, dialogue, and irony — and if you don’t get it, you’re probably still stuck in the past, like a guy who can’t stop checking his phone for a message that never came.
Punchline
So, yeah. If you’re looking for a show that’s more than a banger, this is your miso soup — hot, sharp, and unforgettable. But don’t say I didn’t warn you.
