With the great success of Demon Hunter, the animation studio Ufotable became known in the anime community. While the company is by no means new, having animated the Fate Stay Night series and several anime adaptations of the Tales of series, it has grown in popularity with dealing with the anime and the Demon Slayer film.
Demon Slayer: Infinity Train even broke records for top grossing film in Japan, a title previously held by The Enchanted City Studio Ghibli.
Ufotable was founded in Nakano, Tokyo, by doing’October 2000 by former Telecom Animation Film employees, led by Hikaru Kondo. The company has been producing consistently for several years in the form of collaborations and interludes for some series, but would not have made it into the mainstream scene before that. The garden of sinners from 2007
The company started with 90 employees, but since 2016 the number is 200. gone up. The staff was then split between two buildings and a branch in Tokushima Prefecture. In addition to providing animation for TV series, Ufotable has also provided cutscenes for games like Fate / stay night and Black Rock Shooter: The Gam.
The quality of his productions stems from the fact that he has only a few projects in-house animation staff, just like the Kyoto Animation Studio. Typically, companies focus on producing as many series as possible, relying on freelancers and overtime / crunches to meet tight deadlines.
this causes inconsistencies in the quality and style of the animationsHaving projects held in-house ensures a more coherent appearance of the animation. Ufotable also incorporates more computer graphics into their work than other studios, mixing 2D and 3D animation to create more dynamic footage.
While Demon Slayer did so well, Hikaru Konda and Ufotable did Investigations into tax evasion. It found the company owed over 400 million yen (about $ 3.85 million) in taxes, and in 2020, Kondo was charged with 139 million yen (about $ 3.85 million).
Despite her financial troubles, Ufotable is still highly regarded for running Demon Slayer. It was the studio’s first Battle Shonen series, a big change from the usual light novel and visual novel adaptations. The animations of the fight scenes were praised for its clean, colorful and dynamic action sequences.
The success of the film shows that the studio is capable of great things and his Labor production model is beneficial, both financially and stylistically. Ufotable was also able to record a story made in niche media make it accessible to a completely global audience.
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