It sounds trivial, but an animation studio has to produce cartoons to survive. If a company does not produce what it exists for, what is its raison d’Γͺtre? Evangelion 3.0 + 1.0 has been in production for 8 years and Studio Khara has not produced anything else until now.
Indeed it is not Khara has remained inactive to this day, just think of The Dragon Dentist, even if it is true that the vast majority of the tracks the studio has worked on played a minor role, mostly in processing “between“That will certainly not have guaranteed much compensation for a company that had to produce Evangelion 3.0 + 1.0 for eight years. So the question arises: How did it work?” Hideaki year not to bankrupt his company?
It appears that the vast majority of the company’s revenue came from the real estate sector: “Interestingly enough, Hideaki Anno was able to produce his animation projects freely and regardless of deadlines thanks to the revenue streams from his real estate investment. Whether it is a journalism company or an animation production company, the background of what they can achieve with their real estate investment, which is completely independent of their main line of business, allows them to work the way they want.“”
In August 2020, Anno gave an interview to an editorial in which he commented on his interest in the real estate market:
“”As a manager, I am very grateful to the real estate market because it is a supportive income that supports us while we are not producing souls. Thanks to this, we can practically get by. When I bought an old house that had been used as a workshop, my wife did a great job doing a great job. Before I knew it, Moyoco had also recognized the incredible value of real estate. Now the economy of our people depends on us, so we always need to make sure that 100% of the backup profits are used.“”
This, therefore, illustrates how the director managed to cover the enormous costs of the studio or to take advantage of a sector like the real estate sector to guarantee his staff sufficient resources to calmly work on an already difficult project like the studio’s last film Tetralogy of Rebuilding the Evangelion. On the other hand, what do you think of Hideaki Anno’s interest in this market? Let us know with a comment below.
Leave a Comment